巴伐利亚打猎即景

ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.…

《巴伐利亚打猎即景》由导演 彼得·弗莱施曼   执导，编剧，于1969年上映，在其它发行，是由Martin Sperr  Angela Winkler  汉娜·许古拉  等演员共同主演。剧情节奏紧凑，故事展开自然流畅，画面表现自然流畅，非常适合休闲观看，是一部值得一看的影视作品。

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